In 2016, at the height of  informational capitalism era, it was born the idea to create a magazine  focus on  the the growing drive of politic performances  of  contemporany  activists and the kinds of links that  their interventions stablishes with the institucionalized centers of knowledge production and how this practice are transforming the classicals narratives related with the social change.

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As We know, the emergence of new political actors and the intense appearance  of multiple demands for identity revindication, such as ethnical, nationalist, gender rol , sexual orientation or  social class, are setting new ground for political struggle as well as the manners of  think and organizate the resistance.

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If the ubiquitous presence of so-called "market laws" has gained ground under the ideology of depoliticizing economism that globalizes forms of exploitation and plunder, a global communication must be established between resistances (which are not necessarily common projects, except in certain forms of counter-hegemonic antagonism) to undertake more effective strategies in ideological combat.

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Conscious of how new technologies have modified the way we construct, interact and appreciate the changing configurations we make about space-time and how they establish an increasing influence on how we relate to the distribution, acquisition and reproduction of information, a group of friends we decided to undertake an editorial project that takes advantage of some of the fissures that the new world system entails in its panoptic control offer of mass media management.

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This proposal was born as a clamor that joins that part of the "overflowing modernity" which struggles to distance itself from the fetichizing empire of commodities and its voracious dynamics of surplus-value production. It  a challenge for amplify the silenced voices of the peripheries, those otherness that have long begun to argue more and more hard the underdevelopmental discourses emanating from the Center.